![]() Everything is changed by each person who enters into space. Hamilton thinks that every exhibition must be a form of exchange between the art piece and the audience. Every extension of a hand or a paw is toward the contact and touch is something that leads us from observation to participation. ![]() In The Common Sense, The Animals, 2014-2015, Hamilton explores the sense of touch, the common one for all animal species. Involving the written and the spoken word, the primary projections begins with mouth and hand, as the metaphoric center of her installations. The ephemeral environments create experiences that evoke the architectural presence with its social history behind. With the use of time as material and process, her creative methods represent the invocation of place, collective voice, connection of the past and presence. Begin with the relations of touch, motion, cloth and sound, Hamilton’s work now put the accent on the less material acts of reading, speaking and listening.Īnn Hamilton - The common sense, 2014, copyrights Jonathan Vanderweit Touch is the Common Sense With the viewer’s movement in time and space as the central component of the work, her creative process is always changing. Does the artistic creation have a function in the understanding and recognition of the embodied knowledge and which places are convenient for face-to-face meetings and live experiences in the digital world? Ann Hamilton puts these issues in the focus of her site responsive installations over the last 20 years. Originally published at in the time of technology advanced generations who negate the human presence, there is a question that reconsiders the existence of one’s individuality. Not knowing who to trust, least of all herself, she confronts technicolour Highlanders and mushroom-induced hallucinations, assisted by East End starlet, Elsie Brixton and a psychotic sheepĪ collection of short stories, linked by law, and inspired by the colourful lawyers who practised in Glasgow Sheriff Court during the Sixties and the characters for whom they appeared. Negotiating the tensions of the island Hannah is convinced Tharn is about to be invaded by Russian agents. The Madame’s daring concepts in knitwear have brought her into conflict with the native knitters, most notably the formidable Mrs Montgomery. Supervised by experimental psychologist Doctor Frederickson, their home will be the Knitting Factory, a Studio 54 for the Highlands, run by the mysterious Madame Jeanne. With the Cuban missile crisis looming, she’s one of a group of patients taken to Tharn, an island famed for its fantastic knitwear. Hannah Richards, former code-breaker at Bletchley Park and gay before the time of liberation, is recovering from a mind broken by the strain of secrecy. £1.00 from each sale goes to refugee projects. A frail pigeon brings them together to contemplate what it means to be displaced. ![]() A story of three people on a stormy day in a shop on a city street. OUT NOW: Where Do You See Yourself In Five Years Poems & | Etsy In this book, 29 writers and poets respond to the theme of 'past, present and future'. Where Do You See Yourself In Five Years? Poems & Stories on Past, Present and Future DIY chapbook from Forest PublishingĪn anthology of new work by emerging writers from across the UK and beyond, WHERE DO YOU SEE YOURSELF IN FIVE YEARS? was created during the global COVID19 pandemic of 2020, a year that challenged our normal sense of time, the present, and the future.
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